![]() "Injection" and "Ready to Fall" bring things back into invigorating Rise Against territory early on, while "Bricks" stands out as a vicious blast of old-school hardcore energy and power. This later happens again in songs like "Under the Knife" and the ferocious-yet-still-slightly-missing "Worth Dying For," but moments like these are, in truth, more the exception than the rule. However, "Chamber the Cartridge" doesn't quite open the record with the same acidic bite as past lead tracks, as the chorus is lacking something in its delivery to really hit a nerve. ![]() As such, Rise Against continue to muscularly confront political and personal grievances to the tune of swirling guitars, assertive rhythms, and Tim McIlrath's sandpapered vocals. With producers Bill Stevenson and Jason Livermore manning the controls this time around, the band's inner grit is aptly drawn out amid all the pit-ready choruses and fist-in-the-air, stirring lyrics. After all, the band's sincerity and passion emerge very much intact - their socially conscious approach no less pressing - and new and old fans alike should take to Sufferer with open arms. Their melodic hardcore may still sound more mainstream accessible, but this can hardly be looked at as a bad thing. The Sufferer & the Witness finds Rise Against continuing on the path begun on 2004's well-received Siren Song of the Counter Culture. Track listingĪll lyrics written by Tim McIlrath all music composed by Tim McIlrath, Joe Principe, Brandon Barnes and Chris Chasse.Purchase and download this album in a wide variety of formats depending on your needs. The song "Under the Knife" appeared in the soundtrack for the 2008 Box office hit film Never Back Down. The album received a rating of four out of five stars, while "Ready to Fall", the hugely popular "Prayer of the Refugee" and "The Good Left Undone" earned Rise Against its heaviest airplay to date. He praised the music's "sincerity and passion" and described it "maturing within the realms of major-label hardcore revivalism, while still remaining relevant and exciting". The album received positive reviews, Corey Apar of AllMusic described the album "one shout-along, mosh-worthy song after another". By August 2006, the album had sold over 140,000 copies. Their highest charting album, Endgame, which was released in 2011 reached number 2 on the same chart. The Sufferer & the Witness was released on Jand peaked at number 10 on the Billboard 200 album chart, the highest position the band reached at the time. In the album's liner notes, there is a recommended reading list, which includes Brave New World by Aldous Huxley, The Fountainhead by Ayn Rand, A People's History of the United States by Howard Zinn, Lies My Teacher Told Me by James Loewen, Slaughterhouse-Five by Kurt Vonnegut, and Ishmael by Daniel Quinn. The album was mixed by Chris Lord-Alge in Los Angeles, and production was completed in April 2006. You won't find any acoustic guitar on this one, but perhaps a few other surprises and curveballs await your curious ears.look for an early summer release." The album's name was revealed in the same news release it would be titled The Sufferer & the Witness. The band talked about the sound and release date of the album in April, saying, "We're pretty excited and can't wait for you to hear it. The album was recorded at the Blasting Room with producers Bill Stevenson and Jason Livermore for 12 weeks between January and April 2006. Pre-production began in January 2006 in Chicago. Also in December, it was announced that Bill Stevenson would produce the upcoming album at the Blasting Room studio in Fort Collins, Colorado. The band had been writing songs and ideas during the Siren Song of the Counter Culture tour and had completed five songs by early December 2005. After the success of their major label debut, Siren Song of the Counter Culture, and its single, "Swing Life Away", Rise Against returned to the studio in January 2006 to record their fourth studio album.
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